Hermes – Jour d’Hermes

Hermes – Jour d’Hermes

brussels

Park in Brussels – Photography by Quintessence

One of the things I love most about Europe is the prevalence of fresh flowers. While the climate where I live is warm nearly year-round, I am always surprised and cheered by the commitment to the floral arts on a continent where the weather is less conducive to plant growth. And yet flowers can be found everywhere, from gorgeous public gardens where one can sit for hours admiring the well-manicured arrangements to open air markets where one can stroll at leisure and select an armful of blooms to grace a hallway table. The emphasis on this simple and portable form of beauty appears to be everywhere. I find nothing more satisfying than setting out on foot to explore a city and coming across an intimate little flower shop, where one can admire the shopkeeper’s beautiful arrangements and take in the aroma of dozens of blooms in close quarters.

petunia

Flower Market in Bruges – Photography by Quintessence

It is this joyful, celebratory sensation that Jean-Claude Ellena has captured in Jour d’Hermes, where we are treated to not one, but a flowershop full of scents. Ellena is truly the master of understated complexity, and his latest release does not disappoint. Jour d’Hermes is at once crisp and velvety, dry as silk and wet as moss. Upon first application, I expected Jour d’Hermes to be a fleeting floral, and yet this diaphanous beauty has an impressive longevity. It wears close to the skin which feels appropriate, for the fragrance conveys a certain sense of intimacy.

According to Denyse at Grain de Musc, Hermes and Ellena purposely withheld a list of notes to allow each wearer their own experience and interpretation of the fragrance. Jour d’Hermes is at once no flower and all flowers, an imaginary bouquet of luminosity. From my testing, the fragrance offers the zest of lemon, the green bite of lily of the valley, the powder of rose, the depth of jasmine, the darkness of ivy and the sweet, soapiness of orange blossoms. And just when I have become entranced with the lightness and innocence of this arrangement, Ellena pulls off a masterful deception and reveals a deeply sensual base.  Though it’s been a while since I fell for a bottle, the weightiness of this flacon feels simply decadent, elegance as only Hermes can deliver.

Floral

Jour d'Hermes

Notes: Be inspired. Let your imagination run wild!

Diptyque – Eau de Lierre

Diptyque – Eau de Lierre

Bruges, Belgium. Photo by Quintessence

Bruges, Belgium. Photo by Quintessence

“Green” is a term that gets thrown around quite a bit when it comes to discussions on perfumery. I am always amazed by the range of interpretations that this accord can have, and how uniquely it manifests in different fragrances. Green can run the gamut from fresh and invigorating to dense and mossy, and everything in between.

Diptyque’s Eau de Lierre is inspired by the scent of ivy and indeed, lierre is French for ivy. For me, this scent could easily be named “Eau de Dark Green”, as it truly conjures the deep verdancy of this evergreen climber. The fragrance was launched in 2006 by the innovative house of Diptyque and it is very much in keeping with their minimalist aesthetic. Eau de Lierre opens with a slightly spicy green note that is as true to nature as one can get without being outdoors. While some fragrances interpret dark green notes as herbal, Eau de Lierre has a distinctly vegetal character. Eau de Lierre is by no means a marine fragrance, and yet there is an overall impression of wetness. The opening feels somewhat dark and earthy, the equivalent of trudging through the garden during a light rain with a sturdy slicker and Wellies.

While the fragrance dries down to reveal a slightly woody, musky scent, the green impression prevails, making me think of the woody stems of an ivy plant that has overgrown its intended bed. The fragrance is devoid of any sweet notes, making it a good candidate for men as well as women. Eau de Lierre does not have an especially potent sillage, yet it manages to cling to the skin quite nicely. On the evening I was testing it, I still had traces of the scent on my arm the next morning. While perhaps not on par with the house’s L’Ombre dans L’Eau, creator Fabrice Pellegrin has nevertheless composed a unique and enjoyable composition which evokes the English countryside.

Bruges, Belgium. Photo by Quintessence

Bruges, Belgium. Photo by Quintessence

Green

Notes: Ivy, cyclamen, geranium, gray amber, rosewood, green pepper, musk and woody notes.