Lucien Lelong – Tailspin

Lucien Lelong – Tailspin

elegant-women-arriving-at-a-party-in-dresses-by-lucien-lelong

 

The elegance of Lucien Lelong’s designs are undisputed and his fragrances tend to have a refined character and unique signature. Tailspin, which was launched in 1940 as a collaboration between Lucien Lelong and nose Jean Carles, is no exception. The fragrance has a joyful and fresh character, possessing an unique combination of accords.

Tailspin opens with what seems like a competition between two sets of notes: the first is a green, slightly spicy note, somewhere between an herbal scent and the smell of flower stems. The second is a strong soapy accord, reminiscent of the tiny, fancy soaps one might set out for guests in the bathroom. While the scent is decidedly fresh, it is not the modern definition of fresh with its citrus and marine notes. Tailspin reminds me of the days when ladies included perfumed talcs, lotions and soaps in their repertoire, giving them a layered and pervasive scent, one that would remain imprinted on one’s memory.

Tailspin’s heart is lightly floral, with a touch of gardenia and lily of the valley, but remains tinged with the soapy character. Despite the floral notes, the fragrance is in no way sweet and as such would be suitable for use by a man. I tested the Cologne version of Tailspin and it was fairly tenacious, lasting through the day, though possessing a moderate sillage. At its base is a slight animalic note, reminiscent of Lelong’s other creations. While it is not strong enough to be immediately discernible, it nonetheless balances the fragrance nicely.

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Floral

Notes: Green notes, gardenia, white floral, animalic

Lucien Lelong – Balalaika

Lucien Lelong – Balalaika

Lucien Lelong

One of the advantages of having friends who share an interest in perfumery, is the exponentially increased access to various fragrances, especially vintage or niche items. A friend of mine recently acquired a bottle of Balalaika by Lucien Lelong and was kind enough to allow me to sample for review purposes. Named for a three-stringed, triangular, Russian folk instrument, the name alone held the promise of the exotic.

Lucien Lelong was a French coutourier who gained considerable popularity between the 1920s and 1940s. He favored a fluid, draping style for women, one that would move with its wearer. As a result, many of his creations appear distinctly modern today. Lelong did not create his own designs, rather, he oversaw and directed a team of designers which included Christian Dior at one point. He is credited with rescuing the Parisian fashion scene from forced migration to Berlin during the Nazi occupation, arguing that talent of this quality and calibre had taken generations to develop, and could not simply be reproduced or taught overnight. The Lelong house began producing fine fragrances in 1924 and is still in existence today.

While Balalaika did not smell too promising to me upon first application, my patience was rewarded. While I do not have another sample for comparison purposes, my impression was that the Mandarin top note may have deteriorated slightly, as it came across a bit brash and pungent.  This impression was brief however as the fragrance soon took on a lovely warm character. At the heart of Balalaika is an earthy, woodsy quality made lush by a combination of rosewood, gardenia and violet, just as the name might indicate. The wood and musk basenotes appeared fairly early on, giving the fragrance a distinct earthy odor, reminiscent of ancient tomes in a vast library. Despite the strong opening, the fragrance is fairly mild-mannered and light, however, I only tested the Cologne concentration. While the fragrance lasted through the day, it wore close to the skin, with minimal sillage. I have no doubt that Balalaika’s unique combination of woods and flowers would be exquisite in a parfum concentration, but for now, I will have to content myself with my imagination.

Natalie Paley, wife and muse of Lucien Lelong

Natalie Paley, wife and muse of Lucien Lelong

While many vintage perfumes are still widely discussed, I have seen little mention of Balalaika. It may be that the musty, earthy quality renders it too “dated” for some but it nevertheless is an artful creation and one which I consider myself supremely fortunate to have experienced.

 

Notes: Gardenia, Woods, Mandarin, Musk, Rosewood, Vanilla, Violet