Balenciaga – Florabotanica

Balenciaga – Florabotanica

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One of my main issues with modern perfumery is the manner in which fragrances are penned by a team of market “specialists”, only to be translated into a fragrance which often bears little or no relation to its official description.  Florabotanica, released by the house of Balenciaga (in collaboration with IFF) in late 2012, is one of the best recent examples of this phenomena. The fragrance’s tagline is below.

“Florabotanica evokes ambivalent bewitching beauty. Velvety and thorny, flirting with hemp and vetiver roots. The scent is flowery, developed on a rose note with a narcotic hemp twist. The wearer is beautiful but dangerous, like some rare botanical species.”

I will admit to having no idea what the foregoing means, or what the perfume was intended to smell like. How does one go about “flirting with hemp”? What does something dangerous smell like? Fear? I can only imagine the expressions on the faces of Olivier Polge and Jean-Christophe Herault, the noses behind this fragrance, when they were presented with the brief for Florabotanica.

While Messrs. Polge and Herault succeeded in making a nice-enough fragrance, Florabotanica is none of those things. The fragrance opens with a slightly spicy green note that quickly turns minty. Not quite a gum-smacking variety, more of a soft, pale mint that is closer to a mint herbal tea.  As the heart opens, the fragrance reveals itself to be more truly a floral, though the rose and carnation at the heart of Florabotanica are fairly one dimensional versions of these two powerhouse flowers. They almost smell like a cardboard pop-up of the advertisement with Kristen Stewart.

At the base of the fragrance is a melange of caladium leaves, amber and vetiver, which is where I expected the danger to lie, since my research revealed the caladium plant to be poisonous. Quite to the contrary,  these three notes in unison produced a slightly soapy, light chocolate effect on my skin, giving the creation a bit of softness and warmth. These notes nicely offset the flat, powdery florals, making for a pretty-enough fragrance, but nothing particularly “bewitching” or “thorny”.  Certainly not “dangerous”. While I like Florabotanica well enough, I might have had a greater appreciation of it were it not for the bizarre expectations set by the marketing line.  Probably the edgiest thing about the fragrance is the unique flacon it comes in, but for me, the design bore no relation to the scent either.

Floral

Notes: notes: Mint, rose, carnation, caladium leaf, vetiver and amber

Lancôme – La Vie Est Belle

Lancôme – La Vie Est Belle

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I anticipated the release of La Vie Est Belle with great excitement. It was developed by Olivier Polge, Dominique Ropion and Anne Flipo, a formidable team. Iris is one of my favorite notes for the ghostly, earthy, and chilling aspect it lends to perfumes and La Vie Est Belle was touted as “the first ever iris gourmand”. While there are other perfume houses that could dispute that claim, as an iris lover, this sounded profoundly promising. Nothing surpasses the beauty or elegance of iris in Guerlain’s Apres L’Ondee, Chanel’s 28 La Pausa or Serge Luten’s Iris Silver Mist. Yet despite numerous attempts and testing on blotter and skin alike, I have yet to detect any discernable iris note.

La Vie Est Belle created a bit of a dilemma for me. Perhaps I have been lulled by the fragrance’s cheerful demeanor or predictable plotline. Yes, La Vie Est Belle is well-made, more-so than many of the numerous fragrances I pass on the fragrance counters. And as must be the case with a perfume that seems to loosely follow the formula of the more seductive Angel by Thierry Mugler and the more refined Coco Mademoiselle, La Vie Est Belle is pretty. Perhaps that is where the problem lies. La Vie Est Belle feels like the pretty girl at the party who is quite nice but perhaps a bit lacking in intellect. She smiles so sweetly, perhaps a little too sweetly, I want to like her, but after speaking to her for five minutes I am terribly bored. When I look around the room, there seem to be several girls who look quite a bit like her, but perhaps have a more sultry or rebellious side that maintains my interest.

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The fragrance moves along the fruit-flowers-patchouli track, hitting you all the while with a gourmand accord of  vanilla, tonka and praline. Had the iris note been truly prominent, this fragrance would have stood a greater chance of achieving olfactory immortality. Without it, it’s just another pretty face in the fragrance crowd. The fragrance does possess an incredible sillage and lasting power however as my blotters were still going strong the next day. La Vie Est Belle is a nicely-done fruitchouli, a bit overpowering and forgettable for my taste, but it did win the popular vote in Fragantica‘s 2012 community poll. If you don’t have any fragrances in this genre and Angel and Coco Mademoiselle are too bold for you, La Vie Est Belle may work for you.

 

Gourmand

Notes: Iris pallida, iris aldehyde, jasmine, orange blossom, patchouli, vanilla, tonka bean, praline, black currant and pear.